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Oct 092014


Welcome to another Four-Color Bullet. I am proud to say that we are the only comic-book review column not responsible for the destruction of an entire universe. So let’s talk about comics.

From Marvel, it’s time for yet another company-wide event as the Avengers and the X-Men team up again, this time to take down the Red Skull, armed with Xavier’s brain, in Axis #1;  Ms. Marvel teams up with the Amazing Spider-Man, and the Spider-Verse event draws near, in The Amazing Spider-Man #7; and it’s Halloween in Brooklyn, and the bad guys are dressing up as good guys and Hawkeye and Deadpool team up to stop the mess, in Hawkeye and Deadpool #1.

From DC this week,  it’s the beginning of the end of Earth 2 in Earth 2: World’s End #1; Klarion the Witchboy is bored and Earth is his new playground, in Klarion #1; and a new era of Batgirl begins, in Batgirl #35.

And Jack Burton’s quest to save Wang Chi may be over, but Lo Pan still has his eyes on Miao Yin, in Big Trouble in Little China #5 by BOOM! Studios.


Joshua Williamson: Writer Andrei Bressan: Artist IMAGE COMICS

Joshua Williamson: Writer
Andrei Bressan: Artist

Only one comic this week made it this far, but it’s a doozy. Joshua Williamson has another smash hit on his hands with Birthright. After Ghosted, and Nailbiter, how much more can this guy top himself? It seems like everything Image has put out lately is becoming a favorite, but that’s just the quality of Image Comics.

Birthright #1 starts out as a missing-child story. Williamson brilliantly depicts the emotional turmoil of a family losing their child. Desperate fathers, grieving mothers, and the destruction of a family. We see some time pass, and how this family copes with the loss of a child. And then the crazy comes. Honestly, I think the less you know about this comic, the better. Just when you think you know where the story is taking you, it throws a sack over your head, spins you around 40 times, then pushes you down a hill. Now, twists happen all the time in comics, and they’re getting so frequent that comics readers are getting kind of cynical. This month’s issue of DC’s Batman throws a big twist at you.

But Williamson pulls this one off smashingly. And even if the twist doesn’t impress you, that last page will have you screaming and looking for the rest of the comic, and you’re going to get angry when you realize you have to wait until next month. As if this book couldn’t get better, you’re hit with the amazing art of Andrei Bressan. Artists have the tough job, especially with a first issue, of establishing the looks of the characters when you first meet them. Bressan does it like a pro.

I have nothing negative to say about this book. Nothing. It’s a fun first issue that throws you a curve and has you gasping for the next issue. Loved it. Go get it. And in 10 years, you can hold up your first issue proudly.

And this wraps a very short Four-Color Bullet. Always feel free to email or comment on anything. Anything at all.

It’s a great time to be a comics fan. See you next Thursday!


Oct 042014
The Event Horizon - it's Sci-Fi on your Wi-Fi!  Every Saturday at 9PM Pacific, only on Krypton Radio.
Science fiction author S.P. Hendrick

Science fiction author S.P. Hendrick

Fantasy author Maggie Secara

Fantasy author Maggie Secara

Science fiction author Robert Seutter

Science fiction author Robert Seutter

Tonight’s episode of The Event Horizon returns us to our roots as we showcase science fiction and fantasy writers S.P. HendrickRobert Seutter, and Maggie Secara in a hosted panel discussion on world building for science fiction novels. This episode was recorded August 28, 2014 before a live audience at the clubhouse of the Los Angeles Science Fantasy Society (LASFS) in Van Nuys, California.  Your host this evening is Krypton Radio’s executive producer, Susan L. Fox.

S.P. Hendrick is author of the Glastonbury Chronicles series comprising seven novels to date, beginning with Uneasy Lies the Head.

Maggie Secara is author of the fantasy novels The Dragon Ring, King’s Raven and The Mermaid Stair.

Robert Seutter is author of the books in the Brass Jack cycle, beginning with the trilogy of books Brass Jack: A Fine Bit of Insurrection, Brass Jack: Little Lost Princeling, and Brass Jack: A Dangerous Dance of Empire.

Tonight’s show airs at 9 p.m. PST, and again tomorrow at 4 p.m. PST, as well as other times over the course of the coming week. Check our What’s On When page for showtimes in your area. Once the show has finished its air dates, you will find this episode and others on its show page here on the Krypton Radio web site, and on iTunes and Stitcher as podcasts.

The Event Horizon – it’s Sci-Fi for your Wifi.

- 30 -

Oct 022014
Jason Aaron: Writer
Russell Dauterman: Artist
Matthew Wilson: Colors
Cover Art by Russell Dauterman



Welcome to this week’s Four-Color Bullet, the only comic book review column worthy to wield the hammer of Thor. Let’s get to some comics!

This week from Marvel, the story of the death of the man known as Wolverine continues, in The Death of Wolverine #3; it’s the series finale of Captain America as the new Sentinel of Liberty stands revealed, just in time to end Zola’s mad plan once and for all. in Captain America #25; and the Avengers Unity Squad stands helpless against the Red Skull and his S-Men, as the march to AXIS continues, in Uncanny Avengers #25.

From DC this week, the Main Man gets his ongoing New 52 series, in Lobo #1; martial law is declared in Gotham, and one of Batman’s deadliest foes takes center stage, in Batman: Eternal #26; and it’s the Justice League’s final battle against The Five, in Justice League 3000 #10.

From IDW this week, the story of how the X-Files division came to be continues in The X-Files: Zero Year #3; and the boys find out about Splinter’s secret deal with Old Hob, causing a rift in the family, in Teenage Mutant Ninja Turtles #38.

Valiant brings us the aftermath to the Armor Hunters invasion, and nothing on Earth will ever be the same, in Armor Hunters: Aftermath #1

And from Image Comics, Zack Thompson takes on the Colossal, in the fourth issue of the hot new series, TechJacket.


The original Guardians of the Galaxy are back!

Dan Abnett: Writer Gerardo Sandoval: Artist Edgar Delgado: Colorist Cover Art by Alex Ross MARVEL

Dan Abnett: Writer
Gerardo Sandoval: Artist
Edgar Delgado: Colorist
Cover Art by Alex Ross

Before Star-Lord, Drax, Rocket, Gamora, and Groot, there were Vance Astro, Charlie-27, Martinex, Yondu, and Starhawk. The original Guardians of the Galaxy hailed from the 31st century, exploring the Marvel Universe at a time when Marvel’s heroes have been long dead. I always thought it was unlikely that fans, me included, would ever see a return of the originals, but thankfully, we were wrong.

Guardians 3000 indeed returns the team to 31st century action, and puts you right in the middle of it. I am a big Dan Abnett fan. He has helmed the cosmic corners of both DC and Marvel. He wrote a great take on DC’s Legion of Super-Heroes, rejuvenated Marvel’s Guardians of the Galaxy, and brought us the epic Annihilation event. So, putting Abnett in charge of writing this science-fiction epic, set in Marvel’s far-flung future, was a natural choice. Abnett starts it off with the team literally fighting for their lives, and hints of a time anomaly meta-plot, which, with all of the time anomaly stories that Marvel is doing lately as a rumored means to reboot their Universe, makes one wonder if this is a part of that plan. There is no loss of action in the first issue, getting what you’d expect from a futuristic, sci-fi story, as the reader is breathlessly trying to keep up with Abnett’s fast-paced opening scene.

I have to say, though, that while Marvel got half of the creative team right,  I am not thrilled about Gerardo Sandoval’s art. Facial expressions are ridiculous and reminds me of a bargain-basement Sam Kieth. The whole thing is extreme and way too over-the-top. I’m the kind of comics fan who can ignore the art, to a point, as long as the story is good. Notable exceptions are Mike Allred, and the guy drawing She-Hulk. Marvel really needs to get a new artist on this thing, quick. Andy Lanning would have been great. Just sayin’.

And Mr. Abnett doesn’t get a pass. In every futuristic story, you’re bound to have a fair amount of future-slang. I think Abnett threw it on a little thick, this time. There was so much of it that it slowed the book down for me.

If you’re a long-time GotG fan and you have fond memories of the original team, I think you’ll like it overall. If your first exposure to the Guardians is from the movie or the Bendis re-launch, you may not like it as much, since introductions are few and far between. But if you like some seriously good, sci-fi action, you might surprise yourself.


If (s)he be worthy …

Jason Aaron: Writer Russell Dauterman: Artist Matthew Wilson: Colors Cover Art by Russell Dauterman MARVEL

Jason Aaron: Writer
Russell Dauterman: Artist
Matthew Wilson: Colors
Cover Art by Russell Dauterman

Back in Original Sin, when the Avengers were fighting Nick Fury to a near-standstill on the moon, Fury whispered something in Thor’s ear. Immediately after, Mjolnir dropped like a rock to the moon’s surface and Thor wasn’t able to pick it back up. He had become unworthy. With a stop to forward the plot with an attack from Frost Giants on a Roxxon undersea base, Thor #1 picks up where that fateful scene left off. If you haven’t read any of Original Sin, this first issue does a fine job of filling the reader in. We see Thor trying to adapt to the new status quo, while family and friends try to help him make sense of it. But this issue isn’t all about Thor trying to be Thor. There’s a Frost Giant invasion of Earth going on far beneath the waves, and the only one with any chance of stopping it is our powered-down, hammerless, former God of Thunder.

We know how awesome writer Jason Aaron’s take on Thor has been. I wasn’t even a fan of Thor until Aaron’s work. But with the high fantasy that came with being Asgardian, Thor became, in my eyes, anyway, the new Superman, after DC and the New 52 ruined him. So knowing what we know about Jason Aaron’s Thor, there’s no reason to think the adventures of this new Thor would be any different. And don’t expect any answers this issue as to what Fury said to Thor, and why he’s suddenly unworthy. The reader doesn’t even see the new, female Thor until the last panel, as the original Thor is very much present and still in the fight.

Russell Dauterman’s art is gorgeous. The Asgardians look high-fantasy regal, and Thor’s hellish struggle with current events is easily seen.

Even though there will be a female Thor in the mix, our original hero is very much present and accounted for. Having the status quo rattled is tough for diehard fans to take. But Jason Aaron and Marvel have an intriguing something up their collective sleeve, and this book should be given a chance before just dismissing out it of hand.

And that wraps up Four-Color Bullet for this week. Did you like Thor #1? Comment below or send me an email if you want to talk comics.

It’s a great time to be a comics fan. See you next Thursday!


Sep 252014


Welcome, comic fans, to another Four-Color Bullet, proudly, the only comic book review column whose cover doesn’t smell like pot.

From the folks at the Marvel Bullpen this week, Dr. Aaron Aikman, a.k.a. Spider-Man, must fend off Morlun’s arrival to his part of the Spider-Verse, in Edge of Spider-Verse #3; Deadpool is attacked by a Spider-Slayer, and– wait, what? What’s a Spider-Slayer doing in Deadpool’s book? The crazy continues in Deadpool #35; and Luke Cage and his Mighty Avengers take on the Deathwalkers for all the marbles. At stake? Humanity,  in  issue#14, the final issue of Mighty Avengers. Next stop: Captain America and the Mighty Avengers!

From DC this week, riots are breaking out all over Gotham, and martial law may soon be a reality whether Batman likes it or not, in Batman: Eternal #25; Superman’s fight with Doomsday continues from the pages of Superman/WonderWoman, leading up to one of the most talked-about endings in DC fandom, in Superman: Doomed #2; and Green Hornet has been pardoned! And now the Dynamic Duo must work with their adversaries to foil an attack on Gotham, in Batman ’66 Meets the Green Hornet #10.

Image/Skybound brings us Robert Kirkman’s fourth issue of his horror series, Outcast, in which Kyle’s journey takes a new direction, and who is Luke Masters, and what is his deal?

Valiant’s crossover event concludes as Earth’s heroes rally behind X-O Manowar to face the Armor Hunters in a final, no-holds-barred showdown, in Armor Hunters #4.

IDW’s Cartoon Network: Super Secret Crisis War continues in issue four as the League of Extraordinary Villains  complete their robot army of the captive Powerpuff Girls, Dexter, and Samurai Jack, with plans to conquer the universe! But why aren’t there any Ed, Edd, and Eddy robots?

The Colonial Fleet gather together under Arch-Duke Adama’s leadership, Athena and Starbuck are captured by pirates, and Apollo and his team take on Baltar’s Cylonic Knights, in the second issue of the smash hit Steampunk Battlestar Galactica: 1880, from Dynamite.


The Final Issue! Can the team save New York from the terror of Tiamat? And will the cost be one of their own?

Erik Burnham: Writer Dan Schoening: Artist Luis Antonio Delgado: Colorist IDW PUBLISHING

Erik Burnham: Writer
Dan Schoening: Artist
Luis Antonio Delgado: Colorist

The end is here! The Ghostbusters series finale! Erik Burnham and Dan Schoening conclude the Mass Hysteria story arc with more of a whimper than a bang, taking more of an emotional ending than an action-packed one.  Oh, there’s plenty of creepy, ghost-busting action, and it is creepy, but a large portion of the story revolves around Winston Zeddemore, and his noble efforts at stopping Tiamat’s reign of terror on a personal level. As I was reading this, I was daunted at the task that writer Erik Burnham had before him. Over the last few years, the Ghostbusters have acquired some extra teammates. How do you conclude an epic storyline, find something for everyone to do, and say goodbye to everybody?

But he manages it nicely. Even if it’s only a one-word bubble, everybody contributes. But as I said earlier, the story is really focused on Winston, giving us some considerable emotional weight. The weight on his shoulders is evident, and in a very heart-wrenching and tear-inducing moment, we see Winston’s nobility, and the cost he pays to save humanity. But while we’re crying over Winston’s plight, Burnham provides some balance, splitting the action, giving us some “zap, cap, in the trap,” visual, trademark-bantering, popcorn-in-the-gullet-shoveling, ghost-busting action with one of the, as Ray called it, “gross-” est beasties the team has ever faced, giving us a twisted and hilarious battle. And artist Dan Schoening and colorist Luis Antonio Delgado’s work has been nothing but stellar throughout, and nothing changes here. The ghosties are creepy and weird, and everything is rendered in beautiful detail. I will follow this creative team wherever they may go.

However …

You know what? No “however.” I have nothing bad to say. This was at the top of my pile every month and it ended on a high note. And we even get a glimpse into everyone’s future, like in one of those “what happened next” post-movie scenes. And the final page is guaranteed to give the reader a dose of teary-eyed nostalgia.

 Ghostbusters was fun, and a well-done book from beginning to end, and as a reader, I am sad to see it go. Now, bring on the TMNT crossover!


Rori’s mysterious powers continue to manifest, leading her to a classmate with a dark secret. One he might be willing to kill to keep.

Writer: Jim Zub Artist: Steve Cummings IMAGE COMICS

Writer: Jim Zub
Artist: Steve Cummings

Image’s new horror comic continues with its second issue. I’m really getting into this one. I like writer Jim Zub’s work on this. He’s really good. Giving our heroine Rori Lane, a Japanese/Irish teen who lives with her mother in Japan, was brilliant. She has her foot in Japanese culture, yet she’s also half-gaijin, or foreigner, and it’s through her gaijin eyes that we experience the spooky side of Japanese culture with her.

As an anime and manga fan, I notice that a lot of Western artists portray Tokyo as this futuristic city bathed in lights. There are areas of Tokyo that are like this, but as a whole, it’s inaccurate. Manga drawn by Japanese artists aren’t like this. Artist Steve Cummings actually lives in Tokyo, so the scenes are spot on and he gets what the city looks like. We get the naked truth. Spirits and ghosts are at the center of the series, so with the accurate and real depictions of Tokyo, we can perhaps fool ourselves into thinking it’s real. Unlike other artists, who draw, for example, New York without having ever seen the city. we have an artist who delivers Tokyo accurately.

As far as story goes, Zub takes us deeper into Japanese mythology and with this issue, Rori gets a mysterious new ally. The encounter with Rori’s new friend provides much of the action, and we get a further look into the powers that our Buffy-like hero is manifesting. Ayane isn’t present in this one, but Tokyo’s cat population is keeping an eye on Rori.

At the end of each issue, thus far, we’re treated to an informative essay by Zack Davisson on Japanese culture. Last month was ghosts of Japanese culture, this month was an essay on why high schools are so important in Japan, and why they’re an important part of anime and manga.

However, I’m hoping that Zub can pick up the pace a little, giving a little more insight on Rori’s powers and what’s going on.

This is fast becoming one of my favorite books, both for content, and a nice price tag.

And this brings Four-Color Bullet to a close. Email and comment if you so desire. If you’re a Krypton Radio fan near Tennessee, come by Wizard World Nashville Comic con and say “hi.” I’ll be roaming around Music City Center in the thick of it all, so I hope I see you there.

It’s a great time to be a comics fan. See you next week!