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May 072013
 
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Raymond Frederick Harryhausen
Born: Los Angeles 29th June 1920
Died: London 7th May 2013

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The following was posted on the Ray and Diana Harryhausen Foundation page on Facebook:

The Harryhausen family regret to announce the death of Ray Harryhausen, Visual Effects pioneer and stop-motion model animator. He was a multi-award winner which includes a special Oscar and BAFTA. Ray’s influence on today’s film makers was enormous, with luminaries; Steven Spielberg, James Cameron, Peter Jackson, George Lucas, John Landis and the UK’s own Nick Park have cited Harryhausen as being the man whose work inspired their own creations.

Harryhausen’s fascination with animated models began when he first saw Willis O’Brien’s creations in KING KONG with his boyhood friend, the author Ray Bradbury in 1933, and he made his first foray into filmmaking in 1935 with home-movies that featured his youthful attempts at model animation. Over the period of the next 46 years, he made some of the genres best known movies – MIGHTY JOE YOUNG (1949), IT CAME FROM BENEATH THE SEA (1955), 20 MILLION MILES TO EARTH (1957), MYSTERIUOUS ISLAND (1961), ONE MILLION YEARS B.C. (1966), THE VALLEY OF GWANGI (1969), three films based on the adventures of SINBAD and CLASH OF THE TITANS (1981). He is perhaps best remembered for his extraordinary animation of seven skeletons in JASON AND THE ARGONAUTS (1963) which took him three months to film.

Harryhausen’s genius was in being able to bring his models alive. Whether they were prehistoric dinosaurs or mythological creatures, in Ray’s hands they were no longer puppets but became instead characters in their own right, just as important as the actors they played against and in most cases even more so.

Today The Ray & Diana Harryhausen Foundation, a charitable Trust set up by Ray on the 10th April 1986, is devoted to the protection of Ray’s name and body of work as well as archiving, preserving and restoring Ray’s extensive Collection.

Tributes have been heaped upon Harryhausen for his work by his peers in recent years.

Ray has been a great inspiration to us all in special visual industry. The art of his earlier films, which most of us grew up on, inspired us so much.” “Without Ray Harryhausen, there would likely have been no STAR WARS
- George Lucas

THE LORD OF THE RINGS is my ‘Ray Harryhausen movie’. Without his life-long love of his wondrous images and storytelling it would never have been made – not by me at least. His patience, his endurance have inspired so many of us.
- Peter Jackson

In my mind he will always be the king of stop-motion animation.
- Nick Park

His legacy of course is in good hands. Because it’s carried in the DNA of so many film fans.
- Randy Cook

You know I’m always saying to the guys that I work with now on computer graphics “do it like Ray Harryhausen”.
- Phil Tippett

What we do now digitally with computers, Ray did digitally long before but without computers. Only with his digits.
- Terry Gilliam

Ray, your inspiration goes with us forever.
- Steven Spielberg

I think all of us who are practioners in the arts of science fiction and fantasy movies now all feel that we’re standing on the shoulders of a giant. If not for Ray’s contribution to the collective dreamscape, we wouldn’t be who we are.
- James Cameron

Goodnight, Ray. Thank you for the memories, and the inspiration that changed all our lives.
- 30 -

Mar 022012
 
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Giggling-Jiggling Bears, Dancing Fish, and Danny DeVito. It’s a Dr. Seuss Movie Alright

By Staff Editor & Film Critic, PK.

If you’ve been following us on Facebook, then you undoubtedly have seen some of my posts. Pondering the question, are modern day 3-D movies worth all the hype I keep hearing about? Well, after taking perhaps a little too much cold-flu medicine and feeling my eyeballs vibrating out of my skull, I decided the logical course of action was to go see a movie. After bouncing out of my car at the theater, I stopped and read the signs carefully. Of all the movies I could see today, which one would appeal the most to a cynical, sarcastic, and slightly high, yet cranky radio editor. Ghost Rider : Spirit of Vengeance 3-D was available, but I thought, “nah”. I’m in pain already, that’s overkill even for someone who enjoys the occasional slap and tickle of a bad movie.

I admittedly have yet to see the new Ghost Rider movie, but it’s one of those rare sequels that gives off the ripe cheese odor straight from the previews. I’ve seen some of the old school 3-D’s using the headache inducing glasses with bright red and blue lenses. But life events and my being a cheapskate had prevented me from seeing a movie using the newer tech. Dr. Seuss’s The Lorax would be starting soon, and I thought it would be good to review a family movie for a change. I also want to extend my sympathies to the lady working the ticket booth, who was being mobbed by a small army of young girls ranging in ages from 5-14, and the parent/guardian of the group who was using the opportunity to teach them math problems while giving them money to buy their own tickets.

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